I was responsible for developing the concept, writing the script, and creating the voiceover narration for the concert’s opening.

The theme centers on launching astronauts and scientists into space, symbolizing the band MARS’s journey toward their dream.

I also designed and produced the LED visual content to bring the story to life during the concert.

This title tells a simple yet emotional story of the relationships between friends and lovers in the MARS idol group.

A tangerine tree stands as a symbol of their shared dream, while handwritten notes and personal items reveal each character’s inner world. Each person is introduced through illustrated portraits, with the camera moving gently in a single direction to let viewers slowly take in the emotions, memories, and connections. The background features the planet Mars and a vast, beautiful universe, just like the world they dream of.

Besides overseeing and producing all CG for the series, I proposed a poster concept portraying the couple as ordinary people, set against a city backdrop with the band MARS featured on a giant billboard. While the poster wasn’t used in the show, it was later adapted into the novel’s official cover.

My team and I also created CG for music videos of LYKN, covering more than 7 songs from the series. One of the most exciting parts was designing and supervising all key visuals for MARS, Thame, and other in-universe artists. Despite the tight timeline, limited resources, and budget constraints, this project became a meaningful creative experience that I’m deeply proud of.

For the project Peaceful Property, which follows missions to release lingering spirits from various properties so they can be sold without supernatural disturbances, I proposed the idea of designing a new key scene for each episode. Each scene highlights the distinct location and story elements of that episode, mapped out through both geography and symbolic details.

In total, we created 44 key scenes, the largest number we’ve ever produced. Despite the heavy workload and tight schedule, this became one of the most challenging yet rewarding creative processes, driven by a commitment to bring each story world vividly to life.

This was the first title sequence where I mentored a junior teammate to conceptualize and design the key visual. I oversaw the creative direction and handled all motion graphic production.

The project took several months, but I’m proud of the growth we achieved together. The sequence tells the story of a young woman passionate about perfumery, who undergoes cosmetic surgery to overcome deep-rooted trauma. She navigates love, past and present, while facing online attacks that test her strength in a world shaped by beauty and judgment.

I contributed CG work to support the debut music video of BUS, helping enhance its visual storytelling and emotional impact.

I collaborated with the director on this project to troubleshoot production challenges and deliver the final output within a tight timeline.

Despite some of the tasks being quite demanding, the working atmosphere was excellent. The director and team’s open-minded attitude made the process enjoyable, and the project was completed on schedule. More than just a successful production, I also gained meaningful friendships along the way.

While this title may appear simple at first glance, I placed a strong emphasis on storytelling. I used 2D animation with smooth transitions to depict key moments from the series within a very short duration. It was also my first time working in this style.

This secondhand shop is the starting point of every episode, so I designed the title sequence around objects that reflect each character’s story. I went on set to direct the mood and lighting, aiming for a warm, memory-filled atmosphere. The final piece combines soft camera movement and gentle motion graphics, keeping it simple but emotionally resonant.

Aside from the title sequence, I also proposed poster ideas for all six episodes to the executive team. The main constraint was that I could only use stills from the existing series footage. So I took a minimal approach, focusing on the mood and situations of the characters. Although only a few ideas were actually used, having the chance to create something I personally connected with made the process truly fulfilling and joyful for me.

Inspired by the idea “Pluck a flower and you shake the stars”,

I visualized the four F4 boys as delicate flowers, beautiful yet threatening. The red hue represents their overpowering presence. A small overlooked blade of grass sparks a transformation, shattering the flowers' old forms and reimagining them as radiant stars evolving in the universe.

I developed this sequence under time constraints, with only a few days to conceptualize and build the animatic. I filmed the assets myself with one teammate and took on the post-production process to complete the work independently.

This music video came with a challenging brief at the time. Together with the team, we brainstormed and explored different ideas before going into production. The result was a collaborative effort that turned into a piece we’re proud of.

This piece used a double exposure technique to portray the “hidden powers” within the students and key characters in the series. Despite time constraints, I had only one day to develop the concept, and shot the material the following day with one teammate. I later gathered all the assets and completed the production on my own.

This was one of my early works created during my internship, and it was published in CG+ Magazine, Issue 24. The goal was to inspire readers to create what they love without worrying about technical limitations or fancy tools.

I used only basic Photoshop techniques to turn a green chameleon into a robotic creature by compositing car parts onto its body. It’s a simple piece, but one I’m deeply proud of – it marked the beginning of my journey into creative expression, and it was the first time my work was published in print.

It was a true honor for me to share over 15 years of experience with students,

covering internships, real-world work,

and perspectives on life after graduation,

especially in the fields of design, media production,

and the entertainment industry.

The session was filled with openness, warmth,

and mutual inspiration across different generations.

It also became an experience that connects deeply with my own work,

reminding me of the value of sharing as a way to foster growth for both myself and others.

If we ever get to work together, I’d love to share a little more about the kind of teammate I try to be.

I believe in honest communication, not to clash or confront, but to understand each other faster and solve problems at the root.

When I have to make a decision, I try to look at all the angles. I ask questions, I listen, I seek out other people’s perspectives. I want to make the best possible decision in that moment and take full ownership for it.

I value diversity. A strong team doesn’t have to think the same way, but it should respect each other’s differences. I’ve grown up surrounded by different kinds of people and that taught me that respect is where true understanding begins.

Most of all, I don’t want to just finish tasks. I want to be part of a team that shares a purpose and helps make things better, together.

Thanks for reading all the way here.

I’d love the chance to be part of something great with you.